The Adventure of the Speckled Band and Other Stories of Sherl... by Arthur Conan Doyle

Childhood’s new viability as novelistic ground may signal a shift in the very nature of being a human being, considered anthropologically as a recipient and continuer of tribal myths, beliefs, and strictures. Yet in recent years a number of young novelists-Stephen Millhauser and Jonathan Lethem, for two-have devoted their most ambitious and energetic efforts to detailing the fervent hobbies and the intoxicating overdoses on popular culture, the estrangement and the dependence that characterize contemporary American childhood.

However sensitive and observant, the ordinary child lacks property and the capacity for sexual engagement he exists, therefore, on the margins of the social contract-a rider, as it were, on the imperatives and compromises of others.

With some brilliant exceptions like Dickens and Mark Twain and Henry James, novelists have not taken children seriously enough to make them protagonists. The novel, traditionally a mirror held up to the Western bourgeoisie, to teach its members how to shave, dress, and behave, has focussed on adult moral choices and their consequences.

A year later, he has many symptoms: insomnia, fear of elevators and Arabs, a sense of being “in the middle of a huge black ocean.” This reader’s heart slightly sank when he realized that he was going to spend more than three hundred pages in the company of an unhappy, partially wised-up nine-year-old. Further, he is the only person to have heard the five decreasingly sanguine messages that Thomas, trapped in a meeting at Windows on the World, left on the family answering machine. The hero, a nine-year-old boy called Oskar Schell, has lost his father, Thomas, in the collapse of one of the Twin Towers. Foer’s second novel, “Extremely Loud and Incredibly Close” (Houghton Mifflin $24.95), continues on a high plane of inventiveness and emotional urgency, while taking place on the solid turf of New York City in the aftermath of that most familiar of recent catastrophes, the 2001 World Trade Center blitz. Jonathan Safran Foer, born in 1977, came out swinging in 2002, with the publication of his astounding, clownish, tender, intricately and extravagantly plotted novel “Everything Is Illuminated.” From the hilarious overreacher’s English of the Ukrainian tour guide Alexander Perchov to the passionately fanciful evocations of a Polish-Jewish shtetl from 1791 to 1942, the prose kept jolting the reader into the heightened awareness that comes with writing whose exact like hasn’t been seen before.

The Adventure of the Speckled Band and Other Stories of Sherl... by Arthur Conan Doyle